Gabor Deutsch biography
Gábor grew up in the shadow of the Iron Curtain, in a little town near Hungary border. Rhymes and children's songs sung by his mother were Gábor's first musical influences. Rock and heavy metal mania followed when he went to elementary school. In high school, where he studied to be an electronic technician, he discovered hip hop (the Beastie Boys made a very deep impression), but industrial music as well as other genres like techno (Nine Inch Nails and Prodigy) and finally acid and jungle influenced his musical tastes. An unfortunate event that shadowed his teenage years: at the age of 7 due to a malpractice, his left eardrum was seriously injured. He still has problems with the perception of middle range frequencies
These days, Gábor Deutsch creates his compositions on a PC. He has been deeply involved in electronic equipment for some time. At the beginning of the eighties he learned the basics of computer science with the popular home computers C16 and C64. Then he stepped up to the Amiga 1200 and started creating tunes with the help of the four-track composing software, ProTracker. During his high school years, he was a member of demoscene group called Promise. Gábor left school and began to spend more time composing. He made music for his pleasure, but also for other scene parties and for girls, eventually sending his demo tapes to various places round the world.
His first song was a tune called Sleeper, which appeared on the compilation album Future Sound of Budapest, Volume 2 by Juice Records. On this album he appeared as Anorganik. This release in the spring of 1998, was followed by a melancholic, slow and neat 12" record titled Chilly Motive EP in the same year. This mini album contains a song called Sunday Morning which, outside Hungary, was discovered by Mole for the first time and later appeared on many other international compilation albums.
Gábor plans to obtain a few basic electronic musical instruments in the near future to make his creative time more effective and to finish the dozens of unfinished tunes that could not appear on his first album simply to due time constraints.